Thomas Galvin
Purveyor of Fine Pulp Fiction

I root for the bad guy.

Right now, as I’m typing this, my manager is meeting with a producer about turning one of my novels into a TV show.

This isn’t some indie producer looking to make an art house film that fifteen people see, either. This guy is the real deal, and he works for a company that one-hundred percent of you would know, if I told you the name.

This meeting might be one of the most important things to ever happen in my life, and it’s happening on the other side of the country, where everything is completely beyond my control.

That’s not why I’m worried, though. I mean sure, I’m afraid that my manager will come back with a “no.” But I’m more afraid that he’ll come back with a “yes.”

Which is stupid. This is one of the biggest opportunities I’ve ever had. It could completely change my life.

And that’s why I’m afraid. I’m an engineer, and I’m trained to work with systems, with algorithms. Right now, I have a very neat algorithm running my life. I wake up, I work out, I go to the office, I come home. I’ll be completely debt-free, no school loans, no credit card, no car payments, no mortgage, in about five years. I have a nice little IRA going, and I’m on schedule to retire when I’m fifty, with enough money to live forever.

If this deal goes through, I’d be debt-free the moment the check clears. And then everything would change.

I don’t know where I’d live. I don’t know what my schedule would be. Instead of cashing a paycheck twice a month, I’d have to set up my LLC to pay myself a salary. I like to think I’m better at math and money than the people who win the lottery and go bankrupt three years later, but I can’t prove that I am.

There are a hundred different things that would change, and I’m not even aware of most of them.

And then there’s the risk. Nothing in television is a guarantee. This show might go on to become a cult hit. It might go on to become a regular old six-seasons-and-a-movie hit. Or it might get canned after three episodes. There’s no way to tell. I’d be betting my future on a maybe, and as an engineer, that’s just not acceptable.

But I’d do it anyway.

Because this is the chance of a lifetime, and fear can go fuck itself.

Big Break screenplay competition

I just found out that The Janus Project is a Final Draft / Big Break Screenplay Competition semi-finalist! Out of 7,000 entrants, we are one of just 138 to advance to this stage. You can see our entry here, under Hour Pilots.

You can read the novel that inspired the Janus Project screenplay on Kindle and in paperback, or read the first chapter right here.