Thomas Galvin
Purveyor of Fine Pulp Fiction

Triquetra
The best way to predict the future is to create it. -Peter Drucker

Previously, on The Vampire Diaries…

May 10 1994

Damon Salvatore: Oh no! I’m trapped in an empty hell dimension, forced to live out eternity with no company except my own dark thoughts!

Bonnie Bennett: But Damon, I’m here!

Damon Salvatore: You’re right! It’s even worse that I imagined!

Continue reading »

If you were an adolescent male in the 90s, one of your lifelong goals was (and probably still is) to wield the GunBlade from Final Fantasy VIII. Man at Arms has brought your dream one step closer to reality:

Previously, on The Vampire Diaries

I, uh … huh. Hmm. Let’s see. Elena and Caroline went to college, and so did Ghost Bonnie? And Elena’s roommate got murdered super quick, because being anywhere around Elena is terribly dangerous? And I guess the college was run by Elena’s adoptive daddy’s bad-guy buddies, and they went around torturing vampires and stuff? And Damon got turned into a bigger monster, but then he got better? And he also found his long-lost best friend, who then killed himself by getting fisted by Stefan? And Katherine was aweseome went to Hell? And then there were a bunch of Gypsies Travelers who did a whole Invasion of the Body Snatchers thing and took over Mystic Falls? And then they used Elena’s and Stefan’s blood to make magic not a thing anymore? And then everyone died? Except Blondie the Albino Witch did a spell, and Bonnie brought them all back? Except Damon, because he was super tired of this shit? I guess?

Whatever. Alaric is back, so your argument is irrelevant.

Camp Ground of Chaos

Cute Young Guy: Hey there cute young girl, can I interest you in some underage alcohol, followed by some illicit sex!

Cute Young Girl: You sure can! But first we should totally go check out that strange noise!

Cute Young Guy: That sounds like a totally reasonable and not at all dangerous plan!

Cute Young Girl: I sure hope it isn’t a vampire or something! Tee hee!

Sheriff Forbes: Nope! It’s just me, the friendly neighborhood murder hider!

Cute Young Guy: Awesome! I thought we were in real trouble!

The Shadowy Form of a Fanged Former Cheerleader: Rawr!

Sheriff Forbes: Oh well, you guys are on your own! Tee hee!

Continue reading »

I just got the cover art for Wish, the first Godless Saint short story, and I am thrilled.

Wish cover art

This was done by a great artist named Danh Nguyen, and you can find him over at Deviant Art.

Big Break screenplay competition

I just found out that The Janus Project is a Final Draft / Big Break Screenplay Competition semi-finalist! Out of 7,000 entrants, we are one of just 138 to advance to this stage. You can see our entry here, under Hour Pilots.

You can read the novel that inspired the Janus Project screenplay on Kindle and in paperback, or read the first chapter right here.

It’s finally here. My latest novel, The Janus Project, is now available on Kindle and in paperback.

The Janus Project is the story of Emily Mason, an ordinary teenage girl. She goes to school, has a crush on her best friend, and is stressed out about college applications.

Oh, and one more thing: Emily isn’t real.

She’s actually Nocturne, the leader of a team of super soldiers created by the Janus Project. Genetically engineered. Surgically enhanced. Chemically altered. Psychologically conditioned.

Emily’s cover identity is so convincing that even Emily herself doesn’t realize that she’s been turned into a human weapon. When a crazed soldier from the rival Ares program comes gunning for her, Emily’s perfect life is shattered, and Emily has to fight to discover who–and what–she really is.

I hope you enjoy this story as much as I enjoyed writing it. check out the first chapter, or head over to Amazon to get your copy today!

I would watch the ever-living hell out of this show.

(via io9)

The Digital Reader is reporting, and I have verified, that Barns & Noble has removed the “download” link from users’ Nook Libraries. Reports that they have also purchased a gun, aimed it at their feet, and pulled the trigger remain unconfirmed.

Previously, when you bought an eBook from B&N, you could download it, load it into Calibre, and then load it onto pretty much any device you want. A laptop, your phone, even a Kindle. B&N has disabled this feature, meaning you can now only read Nook books on a Nook, or in a Nook app.

This is remarkably fucking stupid.

There are two ways to make money in the eBook business: by selling the eBooks themselves, or by selling the hardware used to read them. And only one of them works.

Amazon has decided that it is a content company first, and a hardware manufacturer a distant second. This doesn’t mean that their hardware is crap; it’s actually very good. But it does mean that they aren’t trying to turn a profit on it. They sell their hardware at near-cost, and sometimes even at a loss, and make their real money when you read a book, listen to a song, or watch a movie. This means eReaders are a commodity, with razor-thin margins.

Barnes & Noble is also a content company. First because selling books is kind of what they do, but also because the Nook hardware business is hemorrhaging money.

It’s good for B&N that their books can be read on multiple devices, because no one is buying Nooks. The hardware is an albatross around their neck, and content is their lifeline.

By disabling downloads, B&N has made their content less useful. Less valuable. Less likely to be purchased.

I’m a Nook user. I love it. I read on it almost every day. Virtually every eBook I’ve purchased has been from Barnes & Noble, even though Amazon is cheaper. But this is indefensible. This might be what finally pushes me into the Kindle’s warm, front-lit embrace.

And it makes me even surer about my decision to go Amazon exclusive.

The Gotham pilot was a great hour of television. It introduced a raft of interesting characters, dropped them into an interesting situation, and lit the whole thing on fire. It didn’t have the awkwardness of most pilots; I didn’t feel like anyone was still trying to figure out their character, and the cast all seemed to work comfortably with each other.

Gotham has a great premise. The whole city is corrupt; the politicians and the cops are all on the take, there’s a mob war brewing, and the best that people can hope for is that the more restrained, less violent crime boss comes out on top. Our protagonist is the only good cop in town, new to the city and too righteous to become a part of the status quo. The inciting incident is the murder–probably an assassination–of the city’s wealthiest couple, beloved icons and philanthropists. The series arc is the ripple effect caused by these deaths. The police, the criminals, the politicians, and the people of the city will all be affected in one way or another; these murders are the straw that breaks the city’s back.

It’s a great story. There’s just one problem, and his name is Bruce Wayne.

Jim Gordon is a fascinating character. Tough, moral, and too stubborn for his own good. He’s a knight in shining armor, a man who believes in the law and in justice. He’s a man who hasn’t yet given up on the system, and watching that crumble, watching him become a man who can accept a guy dressed up as a bat and beating criminals to a pulp, will be a hell of a ride.

Unfortunately, the show feels like a tease. Because as interesting as Jim Gordon is, he will always be overshadowed by the Batman.

As far as I know, no one has ever inspected Bruce Wayne’s early life. Like Jesus, he’s the focus of a childhood tragedy, and then he disappears until early adulthood. The opening half of Batman Begins, following Wayne’s progression from would-be killer of killers into the Dark Knight, was the best part of the movie, and I would gladly watch a series about that.

I’m less convinced about watching a series about thirteen-year-old Wayne. It makes sense that this is where Batman really got his start. He’s supposed to be one of the best athletes in the world (Dick Grayson, currently Nightwing and the original Robin, is acknowledged as a better pure athlete, although Bruce is still a bette brawler), and Olympic-level athletes almost all start their training very young.

It makes sense, but it isn’t very compelling. I understand that Bruce Wayne would have to start his preparations at a young age, but I don’t particularly want to watch a thirteen year old every week. That, of course, is why Jim Gordon is the focus of the show. But whenever Jim Gordon is on he screen, I can’t help but wonder what Batman would be doing in his situation.

And, like most of these origin stories, the world of Gotham feels too small. The Penguin works for Falcone’s rival, who has the Joker up on stage. The Riddler works in the police’s CSI division. Catwoman watched Bruce’s parents get shot, and will eventually teach Batman parkour. Poison Ivy’s dad gets framed for the crime. I get that they’re exploring how the Wayne Murders affected all of these people, and made Batman’s villains as much as they made Batman himself, but it feels just a little too forced, especially all within one episode.

Gotham is a good show that is, I think, hampered by the fact that it’s also a Batman show. I think I’d be able to enjoy it more if I wasn’t waiting for a cape and cowl that will never appear.